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đ What Love Is Blind teaches you about employment law
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If you take just one thing from this emailâŚ
The Love Is Blind contestants in the US were ruled to be employees, not contractors â this was because of the control the show producers imposed over them. This means they deserve rights like fair pay and better working conditions. This case could change reality TV and serves as a warning for any business using contractors: get your worker classifications right to avoid legal trouble.
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FEATURED REPORT đ°
đ What Love Is Blind teaches you about employment law
Whatâs going on here
The US National Labor Relations Board (the government agency in charge of workersâ rights) ruled that the contestants on Netflix show Love Is Blind are employees, not independent contractors.
This decision opens the door for reality TV contestants to gain employee rights (like fair pay and the right to unionise) which could potentially transform the whole TV industry.
Whatâs Love Is Blind?
Love Is Blind is a Netflix reality show where single people try to find love without seeing each other. They date through a wall, get engaged, and then decide if they want to marry (yes, in that order).
đď¸ Not really relevant to the story, but there have been versions of the show made in 11 countries (including the UK, Japan, Argentina and Sweden).
What sparked the controversy?
Two former contestants on the US version of the show, Renee Poche and Nick Thompson, filed complaints against the showâs production companies, Delirium TV and Kinetic Content.
Renee Poche | Nick Thompson |
Nick Thompson described his experience as âpretty awfulâ â there were long filming hours, manufactured conflicts, and poor working conditions.
Both contestants argued that their contracts contained:
Unlawful non-compete clauses (limiting jobs they can take after)
Excessive confidentiality agreements
âStay-or-payâ provisions (theyâd get heavy penalties for leaving the show early or speaking publicly)
Why does it matter if someoneâs an employee or a contractor?
An employee is someone who works under a companyâs control and direction. They typically have set hours, perform tasks assigned by the employer, and get protections like minimum wage or the right to form unions.
Think of a barista at a coffee shop â theyâre told when to work and what to wear. Thatâs an employee.
A contractor works independently. They usually set their own hours and decide how theyâll complete tasks. They arenât entitled to benefits like minimum wage or health insurance. For example, a freelance graphic designer would be a contractor.
So, itâs so important to make sure youâve classified your workers correctly, based on the actual relationship between you and them. If youâve got the label wrong, you could be depriving them of legal protections and benefits theyâre owed (and you can get in trouble for that).
So, are reality TV contestants really employees?
According to the NLRB, yes â they met the criteria for employees based on several key factors:
đ Controlled schedules: Contestants had to follow strict timelines set by producers, with long filming hours and little freedom to leave the set or take breaks.
đ Rigid contracts: The non-compete clauses, confidentiality terms, and âstay-or-payâ provisions forced contestants to remain in the show or face fines of up to $50,000.
đď¸ Lack of independence: The producers dictated much of their behaviour and interactions, even allegedly manufacturing conflicts between participants for dramatic effect.
These factors combined showed that contestants werenât working independently â they were essentially under the control of the production companies, making them employees in the eyes of the law.
This case is based in the US â does it apply in the UK?
Not directly â the ruling directly affects US law.
But it highlights issues that could influence reality TV globally.
In 2009, in France, three reality TV contestants from the show LâĂle de la Tentation (Temptation Island) successfully claimed employee status. They each ended up receiving âŹ20,000 compensation for wrongful dismissal as well as unpaid overtime and holiday pay.
In the UK, employment law also has similar classifications of âcontractorâ and âemployeeâ, with employees getting rights like minimum wage, holiday pay, and protection from unfair dismissal.
Right now, UK reality TV stars arenât considered employees. But itâs possible that similar cases could arise with contestants challenging their contracts here too.
How could this change reality TV contracts?
As employees, Love is Blind contestants would be entitled to various employment law protections, like:
đ° Minimum wage and overtime pay: Contestants must be paid at least minimum wage and receive overtime if they work long hours.
đĄď¸ Workersâ compensation: If they get injured or sick while filming, theyâre entitled to compensation for medical costs and lost income.
đ Unemployment benefits: If their âjobâ ends, they can claim unemployment benefits while they look for new work.
â Right to form unions: Contestants can form or join unions to negotiate better pay, conditions, and protections.
đŁď¸ Freedom from restrictive clauses: Non-compete and confidentiality clauses could be removed, allowing contestants to speak out about poor conditions without facing penalties.
What are the production companies saying?
The two companies Delirium TV and Kinetic Content have denied the allegations. Theyâve said:
Contestants are independent adults who willingly choose to participate in a âsocial experiment.â
The show isnât scripted and participants can end their journey at any time, according to Kinetic Contentâs CEO, Chris Coelen.
The $50,000 penalty for leaving the show early was never enforced and has since been removed.
Netflix has declined to comment on the recent NLRB ruling.
What's the big picture effect?
đ˘ For law firms: This case shows the significant impact of misclassifying employees as contractors. Firms advising US entertainment clients need to be aware of the NLRBâs interpretation of non-compete clauses, confidentiality agreements, and penalties in contracts. Theyâll have to ensure their clientâs terms with their talent doesnât violate these.
Itâs also a signal of potential challenges in other industries where worker classification is ambiguous â for example, gig economy workers (like Uber drivers).
đŹď¸ For businesses: The case will inevitably impact the TV industry in the US â producers will be forced to offer fairer conditions. But itâs a reminder for all companies relying on contractors to review how much control they exert over their workers.
The case highlights the dangers of misclassification, which can lead to penalties, lawsuits, and forced reclassification of contractors as employees. And thatâs something you donât want to get wrong whether youâre in the UK or the US!
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